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The Hollyhock House, was commissioned by oil heiress Louise Aline Barnsdall and named after her favorite flower. The Hollyhock House was Wright’s first foray in Los Angeles and is the only of the eight houses here that you can tour. The Hollyhock House is part of a ambitious living and arts complex set on 36 acres that was to include an avant-garde theatre and cultural complex called Olive Grove. Of the entire complex, only the residence and two apartments were completed. Ft. – definitely the largest of Frank Lloyd Wright’s four “textile block” houses in the Los Angeles area. Charles Ennis passed away in 1928, only a few years after the house was completed.
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Frank Lloyd Wright had designed the first of his California homes in 1909. Built in 1910 and located in Montecito, the design was a 5,000 sq, ft. “summer cottage” for Emily and George C. Stewart. His third design in the state (there were 24 in all) was a home for Charles and Mabel Ennis.
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The central workspace is rectangular in shape and opens onto a terrace. The living room has one curved wall facing the promenade, and the wing containing bedrooms and bath have curved front and back walls. Frank Lloyd Wright is often called America’s finest architect. There’s a reason he’s not known as “Los Angeles’s best architect” as one might call some of our mid-century masters like John Lautner, or Rudolph Schindler, Paul Williams, or even Wright’s own son, Lloyd Wright. The reason is because Wright’s body of work consisted of homes and structures all over the United States (not to mention abroad), including states like New York, New Jersey, Wisconsin, Arizona, and more. Wright’s oeuvre truly spans the globe and, in fact, he built just eight houses in LA.
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Inside, the living room acts as the home’s focal point, not the kitchen. The living room is two stories tall and faces the street. The home has no formal front door, with the main entry actually in the back. However, by 1921 Wright had built only the main house and two guest houses. With project delays and cost overruns, he then left the project only partially realized.
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In 1927, Barnsdall donated the residence and its surrounding 11 acres of land to the City of Los Angeles so that it could be used as a public park in memory of her father. Hollyhock House is now part of the Barnsdall Art Park Foundation, and the park is used for art classes, working studios, a gallery, and a theatre – returning full circle to Barnsdall’s original ambitions for the site. Wright began his career working as a draftsman for the firm of Joseph Lyman Silsbee. In 1888, he was hired by the firm of Adler & Sullivan, where he was mentored by legendary architect Louis Sullivan. In classic Wright fashion, he had a bitter falling out with Sullivan and left the firm in 1893.
Regrettably, the main house was never built, but the other segments of the complex that were completed consist of a ridgetop stone and wood gatehouse and a small studio-retreat for Eleanor perched on a nearby hill. World War II created shortages that made construction difficult. Built in 1923 for Dr. John Storer, this textile-block house is in the Hollywood Hills at 8161 Hollywood Boulevard. The home is instantly recognizable as one of Wright’s homes.
The walls, constructed of 12,000 cast concrete blocks, are textured on both the interior and exterior to create a unified decorative scheme. Large windows, balconies and terraces make the modest home feel expansive. Of course, though large, it was designed as a residential property. Located in the Los Feliz neighborhood of Los Angeles, Wright designed the home in the early ’20s for Charles and Mabel Ennis, owners of a local men’s clothing store. The home is one of four that makes use of Wright’s textile block system, which is constructed from precast, interlocked concrete blocks.
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You can read about their restoration progress on their website. During the project, Wright and Barnsdall encountered a series of artistic differences. Wright was designing the Imperial Hotel in Japan at the same time and so allegedly left a lot of decisions to his son Lloyd Wright and the Austrian-born American soon-to-be-superstar architect Rudolph Schindler. Towards the end, Barnsdall fired Wright from the project and the house was finished by Schindler.
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Wright started his own practice in Chicago that same year. When chocolate mixture has cooled to the touch – wait about 10 to 15 minutes – finish brownie base. Add chocolate mixture and stir, but do not overheat. Our commitment to serving you the freshest food possible is second to none.
At the time, Wright’s offered only take-out and had a staff of just eight. Today, Wright’s has a staff of 60, and has grown its South Tampa landmark location to seat 225. It’s the fourth version of Wright’s since its inception in 1963. Their commitment to quality helped Wright’s create some of the best unique and specialty sandwiches in town. They even had a German baker develop special dough for them and bake it in a big, round pan calling it Bucket Bread, which is used on almost all Wright’s sandwiches to this day.
Wright’s Prairie style was uniquely American, inspired by the flat plains of the Midwest, and essentially acted as the catalyst for Modern architecture. The style featured horizontal lines, open floor plans, cantilevered roofs, clerestory windows, unfinished materials, and the integration of interior and exterior environments. Cupcakes, sheet cake, or our signature layered cakes (Alpine, Chocolate, Carrot, Red Velvet, Hawaiian Princess, Lemon, Coconut, Peanut Butter Chocolate, Rum)… And if it’s too much for now, slice it up, freeze it and save it for later. “In 1976 my grandmother and my sister, Mindy, created this delicious sandwich,” writes the owner on the menu. “Widely imitated, our Beef Martini could never be duplicated! The Alpine Cake seems to be the common denominator for many 5-star reviews.
Designed in a trabeated style, the home lacks curves, arches, vaults, and domes and is heavily inspired by Mayan architecture. As such, many have classified the home as a Mayan Revival. Situated on a rugged and remote site high in the Santa Monica Mountains, the Oboler complex is Wright’s only example of desert rubblestone construction in Southern California. In the 1940s, radio and television personality Arch Oboler and his wife Eleanor set out to create an estate called “Eaglefeather” on the 360-acre lot they owned in the Santa Monica Mountains above Malibu. An avid rock enthusiastic, Oboler gathered many of the rocks himself, from a variety of locations, even driving his van to the Arizona desert. Their grand plans included a house, a film-processing studio, stables, and paddock, along with other structures.
“It’s a really modern house, yet it uses ancient forms,” said Michael Wyetzner, architect at Michielli + Wyetzner Architects, in the newest episode of Blueprints, a YouTube series for AD. In the video, Wyetzner breaks down the Ennis House’s role in House on Haunted Hill, as well as the role of five other properties featured in horror films. “It doesn’t have a very domestic scale, it almost looks like it could be a museum or other type of religious building,” he said. “In just a minute, I’ll show you the only really haunted house in the world,” Watson Pritchard, played by Elisha Cook Jr., says in the movie. Preserving LA’s one-and-only UNESCO World Heritage site is an ongoing effort, and the work began almost immediately after Frank Lloyd Wright completed construction in 1921.
Today, he realizes the treasure he’s sitting on.“I had a lot of hubris then,” he says. “But here it is 28 years later and (this) is plenty. There’s a lot to be said about what we have here.”Jeff is currently in the process of expanding Wright’s even further by growing its national cake delivery service and extending the shop a few thousand square feet. In the coming year, customers will get an inside glimpse of the massive, well-oiled machine that is Wright’s Gourmet House right when they enter.
Known for coining the term organic architecture, Wright based his work on the harmonious relationship between the structure, occupant, and the natural landscape. His houses were meant to seem as if they were natural extensions of the landscape itself. He created one of the most enduring design legacies in the United States and some of the most iconic structures in the world, from the Robie House and Fallingwater to the Guggenheim Museum to the eight houses featured below. Originally, Jeff aspired to have a Wright’s on every corner. Back then he thought everything his grandparent’s did was wrong.
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